Peter Tork, endearingly offbeat bassist and singer in the Monkees, dies at 77
Peter Tork, a blues and folk musician who became a teeny-bopper sensation as a member of the Monkees, the wisecracking, made-for-TV pop group that imitated and briefly outsold the Beatles, died Feb. 21. He was 77.
His death was confirmed by his sister Anne Thorkelson, who did not say where or how he died. Mr. Tork was diagnosed with adenoid cystic carcinoma, a rare cancer affecting his tongue, in 2009.
If the Monkees were a manufactured version of the Beatles, a “prefab four” who auditioned for a rock-and-roll sitcom and were selected more for their long-haired good looks than their musical abilities, Mr. Tork was the group’s Ringo, its lovably goofy supporting player.
On television, he performed as the self-described “dummy” of the group, drawing on a persona he developed while working as a folk musician in Greenwich Village, where he flashed a confused smile whenever his stage banter fell flat. Off-screen, he embraced the Summer of Love, donning moccasins and “love beads” and declaring that “nonverbal, extrasensory communication is at hand” and that “dogmatism is leaving the scene.”
A versatile multi-instrumentalist, Mr. Tork mostly played bass and keyboard for the Monkees, in addition to singing lead on tracks including “ Long Title: Do I Have to Do This All Over Again ,” which he wrote for the group’s psychedelic 1968 movie, “Head,” and “ Your Auntie Grizelda .”
At age 24, he was also the band’s oldest member when “The Monkees” premiered on NBC in 1966. Not that it mattered: “The emotional age of all of us,” he told the New York Times that year, “is 13.”
Created by producers Bob Rafelson and Bert Schneider, “The Monkees” was designed to replicate the success of “A Hard Day’s Night” and “Help!,” director Richard Lester’s musical comedies about the Beatles.
The band featured Mr. Tork alongside Michael Nesmith, a singer-songwriter who played guitar, and former child actors Micky Dolenz and Davy Jones, who played the drums and sang lead, respectively. Like their British counterparts, the group had a fondness for mischief, resulting in high jinks involving a magical necklace, a monkey’s paw, high-seas pirates and Texas outlaws.
“The Monkees” ran for only two seasons but won an Emmy Award for outstanding comedy and spawned a frenzy of merchandising, record sales and world tours that became known as Monkeemania. In 1967, according to one report in The Washington Post , the Monkees sold 35 million albums — “twice as many as the Beatles and Rolling Stones combined” — on the strength of songs such as “Daydream Believer,” “ I’m a Believer ” and “ Last Train to Clarksville ,” which all rose to No. 1 on the Billboard record chart.
Almost all of their early material was penned by a stable of vaunted songwriters that included Carole King, Gerry Goffin , Neil Diamond, David Gates, Neil Sedaka and Jeff Barry. But while the band scored a total of six Top 10 songs and five Top 10 albums, they engendered as much critical scorn as commercial success. In one typical review, music critic Richard Goldstein declared, “The Monkees are as unoriginal as anything yet thrust upon us in the name of popular music.”
Detractors pointed to the fact that the band, at least initially, existed only in name. While the Monkees appeared on the cover of their debut album and were shown performing on TV, their instruments were actually unplugged. The songs were mostly done by session musicians — much to the shock of Mr. Tork, who recalled walking into the recording studio in 1966 to help with the group’s self-titled debut.
He was “mortified,” he later told CBS News, to find that music producer Don Kirshner , dubbed “the man with the golden ear,” didn’t want him around. “They were doing ‘Clarksville,’ and I wrote a counterpoint, I had studied music,” Mr. Tork said. “And I brought it to them, and they said: ‘No, no, Peter, you don’t understand. This is the record. It’s all done. We don’t need you.’ ”
After the release of the band’s second album, “More of the Monkees” (1967), Mr. Tork and his bandmates wrested control of the recording process and wrote and performed most of the songs on records including “Headquarters” (1967) and “Pisces, Aquarius, Capricorn & Jones Ltd.” (1967).
They also started touring, playing to sold-out stadium crowds and backed by opening acts that briefly included guitarist Jimi Hendrix. But as Mr. Tork’s musical ambitions grew, leading him to envision the Monkees as a genuinely great group of rockers, he began to clash with bandmates who saw the Monkees as more of a novelty act.
He left the group soon after the release of “Head,” a satirical, nearly plot-free film flop that featured a screenplay co-written by actor Jack Nicholson. Mr. Tork seemed to have taken his cue from musician Frank Zappa, who made a cameo in the movie, telling Jones’s character that the Monkees “should spend more time” on their music “because the youth of America depends on you that show the way.”
For much of the 1970s, Mr. Tork struggled to find his own way. He formed an unsuccessful band called Release, was imprisoned for several months in 1972 after being caught with “$3 worth of hashish in my pocket,” and worked as a high school teacher and “singing waiter” as his Monkees wealth dried up. He also said he struggled with alcohol addiction — “I was awful when I was drinking, snarling at people,” he told the Daily Mail — before quitting alcohol in the early 1980s.
By then, television reruns and album reissues had fueled a resurgence of interest in the Monkees, and Mr. Tork had come around to what he described as the essential nature of the music group, which he joined for major reunion tours about once each decade, beginning in the mid-’80s, in addition to performing as a solo artist.
“This is not a band. It’s an entertainment operation whose function is Monkee music,” he told Britain’s Telegraph newspaper during a Monkees tour in 2016 . “It took me a while to get to grips with that but what great music it turned out to be! And what a wild and wonderful trip it has taken us on!”
It is pretty interesting in a sense. Although their songs were mainly high level pop music written by the best songwriters in the genre at the time, the Monkees were derided somewhat mercilessly by critics.
Their persona was an imitation.
They were probably born 50 years too soon. Today imititation is quite the thing in entertainment.
RIP Peter Tork
I watched that show when I was a little kid. I didn't think they were all bad. I really like "Last Train to Clarksville"
How prophetic was this one in 1967?
Pleasant Valley Sunday
I was always partial to I'm A Believer and Daydream Believer myself.
Loved watching the Monkees
Here they come...walking down the street...get the funniest looks from...
I can still sing the opening song. I was madly in love with Davy Jones and begged for permission to stay up late and watch The Monkees...sigh
RIP Peter Tork
Until The Beatles made movies there was likely no thought of The Monkees. The popularity of A Hard Day's Night and Help , the Beatles theatrical films, gave Hollywood the idea to create a tv show somewhat based on the style of those films. Imitation is a long standing tradition in show business.
I dont consider the Monkees to be musicians, but as the article says, their songs were generally written by top pop music songwriters of the day. There was nothing "wrong" with the music.
No, there is nothing wrong with their music. "I'm a Believer" is currently earworming thru my head. And that's a catchy little tune
I'm a Believer got a new lease and new fans through the movie Shrek. Amazing how many people think it was a recently written song just for the movie...
Was it Smash Mouth that recorded it?
I liked their songs...simple and happy. No one expected them to be anymore.
Like the Partridge Family..
The Monkees are part of my life experience, the songs bring back the memories and feelings. Which Monkee was 'the favorite'? The all had something for me! First Davey, then Mickey, but they all bring smiles to me as well. RIP
The song in my head now is 'Last Train to Clarksville'.
https://www.youtube.com/watch?v=ZcXpKiY2MXE
I'm the weird one that liked Mike