M. Night Shyamalan's 'Old' Hits On the Fear of Aging

  

Category:  Entertainment

Via:  john-russell  •  3 months ago  •  7 comments

By:   David Sims (The Atlantic)

M. Night Shyamalan's 'Old' Hits On the Fear of Aging
In Old, the director confronts the everyday, existential terror of life passing by too quickly.

S E E D E D   C O N T E N T



In Old , the director confronts the everyday, existential terror of life passing by too quickly.

By David Simsoriginal.jpg -

M. Night Shyamalan has been making Hollywood thrillers for more than 20 years, and despite his career's ups and downs, he's never lost the power to wring tension out of the simplest situations: someone opening a door, a shape walking across a TV screen, a scowl shifting into a smile. Early on in Old , his latest macabre roller-coaster ride, a trio of children play freeze tag on a beach, ducking and weaving and laughing while one of them stands motionless, waiting to spring back to life. It's a knowing hint at the terror that's about to unfurl—the sense that time is about to slip out of whack.

The beautiful, secluded beach where Old takes place is powered by one horrifying logic: If you stay on it, you get old—fast. Guy (Gael Garcia Bernal) and Prisca (Vicky Krieps), on a sumptuous vacation with their two preteen children, arrive one morning and lay down their towels; within a few hours, their kids have gone through puberty and their own faces are scored with wrinkles. Shyamalan has made movies featuring ghosts, alien invaders, scary trees, and comic-book villains, but with Old he's hit on a premise that is devastating in its simplicity. Everyone's afraid of aging, right?

The film, based on the graphic novel Sandcastle , by Pierre Oscar Levy and Frederik Peeters, is maybe Shyamalan's best since his (supremely underrated) 2004 hit, The Village . In Old , Guy and Prisca, along with the other beachgoers, have to figure out an escape before their age kills them. But they're also tormented by the existential reality that their partnership—and their children's many developmental milestones—is flashing by.

What parent hasn't had that feeling grip them with terror? Old is a perfect, blunt title, but this film could just as easily be called They Grow Up So Fast , given the melancholy undertones of its often grisly plot. Shyamalan riddles his characters with insecurities and doubts about their place in the world, then hits the fast-forward button on their lives, giving them minutes to realize big emotional truths. One can almost hear him cackling in the background (and, as usual, he's cast himself in a small role) as he continually poses this question to the audience: What would you do if you had only one day to live the rest of your life?

The beach (the film was shot in the Dominican Republic) is a perfect metaphorical landscape for that question. It's peaceful and alluring, but unfeeling—a gorgeous spot to while away your time before being carried out by the waves and forgotten. Shyamalan and his cinematographer, Mike Gioulakis, take every advantage of the negative space that this big open canvas provides—the camera darts between characters, bobbing and swaying, lending the sense of time rapidly falling out of reach. Rather than swallowing his characters up in superwide shots to emphasize their insignificance, Shyamalan has them dominate the frame, standing so tall that the screen cuts off at their heads and feet, as if they're growing so quickly, they literally can't be contained.

That's the kind of visual acuity that has always made Shyamalan a far better filmmaker than his reputation suggests. The early run of twist-centric horror that made his name— The Sixth Sense , Unbreakable , Signs , The Village —led many to think of him as a one-trick pony, and subsequent big-budget flops, such as The Last Airbender and After Earth , saw him retreat to making smaller genre works. But that resulted in some of the most fruitful material of his career: thrillers such as The Visit and Split , which punched above the weight of their silly plotting because of Shyamalan's skill with staging and atmosphere.

Yes, Old has plenty of the clunky dialogue that defines Shyamalan's work—his characters often can't help but overexplain what's going on around them. It probably runs 10 minutes too long, with an ending that works too hard to lay out the silly reasoning behind the beach's supernatural properties. None of that matters. The central conceit of Old has so much juice, and Shyamalan gets to explore so many fun—if sadistic—avenues over the course of one very long day. It's his most ambitious work in years, wrapped in the delightful, tawdry packaging of a pulpy thriller.


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JohnRussell
Professor Principal
1  seeder  JohnRussell    3 months ago

I watched the trailer and while I dont think this will serve too well as a philosophical examination of the meaning of growing old, it does look like it might scare the crap out of some people.

It also seems to be getting decent reviews, with a 7.7 rating on IMDB.  

 
 
 
Paula Bartholomew
Professor Guide
1.1  Paula Bartholomew  replied to  JohnRussell @1    3 months ago

 it might scare the crap out of some people

MKS loves to do that.

 
 
 
Ender
Professor Principal
2  Ender    3 months ago

Eh, I thought it looked kinda boring. Not really a thriller.

 
 
 
JohnRussell
Professor Principal
2.1  seeder  JohnRussell  replied to  Ender @2    3 months ago

Movies that are about just one thing (a group of people aging their entire lives in just one day) are better suited, I think, for something like a half hour twilight zone episode.  When you make a full length movie about it it becomes either repetitious or too far out. 

I think the premise itself will find an audience though. 

 
 
 
Ender
Professor Principal
2.1.1  Ender  replied to  JohnRussell @2.1    3 months ago

I agree, sounds like a Twilight Zone episode.

How they can drag that out for 90 minutes or so, I don't know.

 
 
 
Perrie Halpern R.A.
Professor Principal
3  Perrie Halpern R.A.    3 months ago

I think it looks like a fun but disturbing movie. 

 
 
 
Ender
Professor Principal
3.1  Ender  replied to  Perrie Halpern R.A. @3    3 months ago

I do like the Wolff kid. I think he has a great career ahead of him.

 
 
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