The Obama Factor
S E E D E D C O N T E N T
There is a fascinating passage in Rising Star , David Garrow’s comprehensive biography of Barack Obama’s early years, in which the historian examines Obama’s account in Dreams from My Father of his breakup with his longtime Chicago girlfriend, Sheila Miyoshi Jager. In Dreams , Obama describes a passionate disagreement following a play by African American playwright August Wilson, in which the young protagonist defends his incipient embrace of Black racial consciousness against his girlfriend’s white-identified liberal universalism. As readers, we know that the stakes of this decision would become more than simply personal: The Black American man that Obama wills into being in this scene would go on to marry a Black woman from the South Side of Chicago named Michelle Robinson and, after a meteoric rise, win election as the first Black president of the United States....
Perhaps the most revealing thing about Jager’s account of her fight with Obama, though, is that not one reporter in America bothered to interview her before David Garrow found her, near the end of Obama’s presidency. As Obama’s live-in girlfriend and closest friend during the 1980s, Jager is probably the single most informed and credible source about the inner life of a young man whose election was accompanied by hopes of sweeping, peaceful social change in America—a hope that ended with the election of Donald Trump, or perhaps midway through Obama’s second term, as the president focused on the Iran deal while failing to address the concerns about rampant income inequality, racial inequality, and the growth of a monopoly tech complex that happened on his watch.
The idea that the celebrated journalists who wrote popular biographies of Obama and became enthusiastic members of his personal claque couldn’t locate Jager—or never knew who she was—defies belief. It seems more likely that the character Obama fashioned in Dreams had been defined—by Obama—as being beyond the reach of normal reportorial scrutiny. Indeed, Garrow’s biography of Obama’s early years is filled with such corrections of a historical record that Obama more or less invented himself. Based on years of careful record-searching and patient interviewing, Rising Star highlights a remarkable lack of curiosity on the part of mainstream reporters and institutions about a man who almost instantaneously was treated less like a politician and more like the idol of an inter-elite cult.
Yet when it came out six years ago, Rising Star was mostly ignored; as a result, its most scandalous and perhaps revelatory passages, such as Obama’s long letter to another girlfriend about his fantasies of having sex with men, read today, to people who are more familiar with the Obama myth than the historical record, like partisan bigotry. But David Garrow is hardly a hack whose work can or should be dismissed on partisan grounds. He is among the country’s most credible and celebrated civil rights historians—the author of The FBI and Martin Luther King, Jr. and Bearing the Cross (which won the Pulitzer Prize for Biography) and one of the three historian-consultants who animated the monumental PBS documentary Eyes on the Prize , as well as the author of a landmark history of abortion rights, Liberty and Sexuality .
In part, Garrow’s failure to gain a hearing for his revision of the Obama myth lay in his timing. Rising Star felt like old news the moment it was published in May 2017—as whatever insights the book contained were overtaken by the fury and chaos surrounding the beginning of Donald Trump’s presidency. As Trump’s incendiary carnival barker act took center stage, it was hard even for Republicans not to miss the contrast with Obama’s cerebral mannerisms and sedate family life. The idea that Obama was simply another self-obsessed political knife-fighter who played fast and loose with the truth didn’t resonate. In any case, Obama was now a footnote to history—a reminder of kinder, gentler times that the country seemed unlikely to see again anytime soon.
Yet there was also evidence to suggest that the idea Obama was no longer concerned with power or involved with power was itself part of a new set of myths being woven by and around the ex-president. First, the Obamas never left town. Instead, they bought a large brick mansion in the center of Washington’s Kalorama neighborhood—violating a norm governing the transfer of presidential power which has been breached only once in post-Civil War American history, by Woodrow Wilson, who couldn’t physically be moved after suffering a series of debilitating strokes. In the Obamas case, the reason for staying in D.C. was ostensibly that their youngest daughter, Sasha, wanted to finish high school with her class at Sidwell Friends. In June 2019, Sasha went off to college, yet her parents remained in Washington.
By then, it was clear to any informed observer that the Obamas’ continuing presence in the nation’s capital was not purely a personal matter. To an extent that has never been meaningfully reported on, the Obamas served as both the symbolic and practical heads of the Democratic Party shadow government that “resisted” Trump—another phenomenon that defied prior norms. The fact that these were not normal times could be adduced by even a passing glance at the front pages of the country’s daily newspapers, which were filled with claims that the 2016 election had been “stolen” by Russia and that Trump was a Russian agent......
It was funny, when I was with Ben Rhodes in the White House , one of the things that Rhodes was at pains to get across to me was that Obama wrote all of his speeches himself. Here’s the legal pad, take a look. I remember thinking, “Well, why would I think otherwise, until right now?”
I mean, of course Obama doesn’t write all his speeches himself. He’s the president of the United States; he’s got a team of seven White House employees who are paid to write speeches for him. But there was obviously a need or an instruction that had been given that Barack Obama was always to be presented as the author of Barack Obama. And by his instruction, the only book that the speechwriters were to consult was the Collected Speeches of Abraham Lincoln , because he was the only other president who deserved to be on the same shelf as Obama.
So the conclusion I’ve come to in time is that that best way to understand Barack Obama is that he is a literary creation of Barack Obama, the writer, who authored the novel of his own life and then proceeded to live out this fictional character that he created for himself on the page. Which is remarkable. So how do you write a biography of a fictional character authored by someone who’s deliberately created and obscured and erased their actual life and replaced that self with a fiction?
Tags
Who is online
411 visitors
A really interesting essay/interview with an award winning biographer of MLK and Barack Obama.
Not the typical thing for this site but worth the time to read it always the through. Interesting look into the personality of Obama (who's managed to avoid pretty much any in depth reporting) and Dr. King
A small highlight: