Wes Studi, Renaissance Man
In Dances with Wolves, as a Pawnee 
From small-town Oklahoma native to internationally acclaimed actor and musician, Wes Studi credits his passion and multi-faceted background for his powerful character portrayals that forever changed a Hollywood stereotype.
Drawing from his rich life experience, Wes moved audiences with unforgettable performances in Dances with Wolves, The Last of the Mohicans, Geronimo: An American Legend, and Heat, as well as James Camerons Avatar and Paul Weitzs Being Flynn. Breaking new ground, he brought fully-developed Native American characters to the screen, and then took his craft a step further highlighting the success of Native Americans in non-traditional roles.
In 2013, he was inducted in to the National Cowboy & Western Heritage Museums Hall of Great Western Performers. Throughout his 30-year career hes won numerous awards, including several First Americans in the Arts awards and the 2009 Santa Fe Film Festival Lifetime Achievement Award.
Interestingly, acting was never a goal in Wes youth. Unlike many actors who dive into performing at an early age, he discovered acting later in life.
The eldest son of a ranch hand, Wes was born in 1947 in Nofire Hollow, in Northeastern Oklahoma. He spoke only his native Cherokee until he was 5, when he was enrolled in the Murrell Home to attend public school. He later attended the Chilocco Indian Boarding School in Northern Oklahoma, where he remained through high school graduation. Yet, unlike many fellow Native American students, he never forgot his language.
Wes joined the U.S. Army and while stationed at Fort Benning, Georgia, stories from returning Vietnam War veterans set his blood on fire. With only 12 months of his six-year service left, Wes volunteered to go to Vietnam. He served one tour in South Vietnam with the 9th Infantry Division in the Mekong Delta, living his own future war stories. At one point his company was pinned down in the Mekong Delta and nearly killed by friendly fire.
After an honorable military discharge, Wes returned home with a fire in the belly, and became seriously involved with Native American politics. He joined the American Indian Movement (AIM) and participated in the Trail of Broken Treaties protest march in 1972, where hundreds of Native American activists marched on Washington. He was one of the protesters who briefly occupied the Bureau of Indian Affairs Building there. In 1973, Wes participated in the occupation at Wounded Knee, South Dakota, for which he was arrested.
Wes now sees his political activism as a form of post-Vietnam catharsis. I began to purge the bad feelings within myself, he says, adding that he joined the resisters because I wanted to make myself a viable part of the machinery that affected my people.
Recognizing his current path could lead to self-destruction, Wes changed course and channeled his feelings toward positive change. Shortly after Wounded Knee, Wes moved to the Tahlequah, Oklahoma, where he worked for the Cherokee Nation, and helped start the Cherokee Phoenix, a bilingual newspaper still in publication today. During that time Wes put his linguistic skills to work and began teaching the Cherokee language in the community. Later attending Northeastern University in Tahlequah, he made further attempts at positive influence in his work with his people.
After college, Wes shifted his attention to running his own horse ranch and became a professional horse trainer. It was during this era that he began acting at The American Indian Theatre Company in Tulsa in 1983, where he found both the adrenaline rush he craved and the cathartic release he needed. When youre able to release those feelings in an acting form, its healthier than leaving them inside, he says of discovering acting.
Wes first took the professional stage in 1984 with Black Elk Speaks and has never looked back. As his success grew on stage, he expanded to productions for Nebraska Public Television in the summer of 1985. Not long after, he moved to Los Angeles, landing his first film role in Powwow Highway and making his TV debut in a small role in the ABC TV-movie Longarm in 1988.
In 1990, Wes portrayed a terrifyingly memorable Pawnee warrior in Dances with Wolves. Two years later he landed the role of Magua in Michael Manns The Last of the Mohicans, the performance that put him on the map.
Wes drew on his own combat training, anger and sense of enforced isolation for his riveting depiction of the vengeful Magua. He soon became known for his film roles portraying strong Native American characters as he strove to portray them with poignancy and authenticity.
From small-town Oklahoma native to internationally acclaimed actor and musician, Wes Studi credits his passion and multi-faceted background for his powerful character portrayals that forever changed a Hollywood stereotype.Drawing from his rich life experience, Wes moved audiences with unforgettable performances in Dances with Wolves, The Last of the Mohicans, Geronimo: An American Legend, and Heat, as well as James Camerons Avatar and Paul Weitzs Being Flynn. Breaking new ground, he brought fully-developed Native American characters to the screen, and then took his craft a step further highlighting the success of Native Americans in non-traditional roles.
In 2013, he was inducted in to the National Cowboy & Western Heritage Museums Hall of Great Western Performers. Throughout his 30-year career hes won numerous awards, including several First Americans in the Arts awards and the 2009 Santa Fe Film Festival Lifetime Achievement Award.
Interestingly, acting was never a goal in Wes youth. Unlike many actors who dive into performing at an early age, he discovered acting later in life.
The eldest son of a ranch hand, Wes was born in 1947 in Nofire Hollow, in Northeastern Oklahoma. He spoke only his native Cherokee until he was 5, when he was enrolled in the Murrell Home to attend public school. He later attended the Chilocco Indian Boarding School in Northern Oklahoma, where he remained through high school graduation. Yet, unlike many fellow Native American students, he never forgot his language.
Wes joined the U.S. Army and while stationed at Fort Benning, Georgia, stories from returning Vietnam War veterans set his blood on fire. With only 12 months of his six-year service left, Wes volunteered to go to Vietnam. He served one tour in South Vietnam with the 9th Infantry Division in the Mekong Delta, living his own future war stories. At one point his company was pinned down in the Mekong Delta and nearly killed by friendly fire.
After an honorable military discharge, Wes returned home with a fire in the belly, and became seriously involved with Native American politics. He joined the American Indian Movement (AIM) and participated in the Trail of Broken Treaties protest march in 1972, where hundreds of Native American activists marched on Washington. He was one of the protesters who briefly occupied the Bureau of Indian Affairs Building there. In 1973, Wes participated in the occupation at Wounded Knee, South Dakota, for which he was arrested.
Wes now sees his political activism as a form of post-Vietnam catharsis. I began to purge the bad feelings within myself, he says, adding that he joined the resisters because I wanted to make myself a viable part of the machinery that affected my people.
Recognizing his current path could lead to self-destruction, Wes changed course and channeled his feelings toward positive change. Shortly after Wounded Knee, Wes moved to the Tahlequah, Oklahoma, where he worked for the Cherokee Nation, and helped start the Cherokee Phoenix, a bilingual newspaper still in publication today. During that time Wes put his linguistic skills to work and began teaching the Cherokee language in the community. Later attending Northeastern University in Tahlequah, he made further attempts at positive influence in his work with his people.
After college, Wes shifted his attention to running his own horse ranch and became a professional horse trainer. It was during this era that he began acting at The American Indian Theatre Company in Tulsa in 1983, where he found both the adrenaline rush he craved and the cathartic release he needed. When youre able to release those feelings in an acting form, its healthier than leaving them inside, he says of discovering acting.
Wes first took the professional stage in 1984 with Black Elk Speaks and has never looked back. As his success grew on stage, he expanded to productions for Nebraska Public Television in the summer of 1985. Not long after, he moved to Los Angeles, landing his first film role in Powwow Highway and making his TV debut in a small role in the ABC TV-movie Longarm in 1988.
In 1990, Wes portrayed a terrifyingly memorable Pawnee warrior in Dances with Wolves. Two years later he landed the role of Magua in Michael Manns The Last of the Mohicans, the performance that put him on the map.
Wes drew on his own combat training, anger and sense of enforced isolation for his riveting depiction of the vengeful Magua. He soon became known for his film roles portraying strong Native American characters as he strove to portray them with poignancy and authenticity.
http://wesleystudi.com/bio/
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Wes is truly a man for all seasons.
His latest film, ''Ronnie Bodeen'' is really good. His character is classic.
One line from the film...''Do you want to do this the hard way, or do you want to do this the real hard way''...
He also starred with Adam Beach, in the film adaptation of Tony Hillermans great books. He was the legendary Joe Leaphorn, while Adam played Jim Cree..Two Tribal Cops...
More than interesting abmiv.
If I'm not mistaken, I think that 1st and Grump met Wes at the Cracker Barrel in Albuq.
Wes Studi is one of my favorite actors, and I look for his movies... He's a wonderful actor and a character! His portrayal of Magua was utterly chilling, yet he brought the motives for his character's actions to the forefront, so that one could understand the why...
I wish him well on his journey through life!
I think I first noticed him in "Dances With Wolves", and was quite taken by the fierceness of his role - it was sure as hell believable.
Indeed he does want to ''make things right''.
He was at ''Wounded Knee'', enough said.
I think I've mentioned before that I have worked with Wes in "Broken Chains" and with TREO in Florida. An awesome gentleman - a huge heart and full of humor.
Thanks Ambi.