Well, they do and it is quite obvious you put some time into these photos to make them as beautiful as they are.
Here is one I did. The background was black, but you know how hard it is to get rid of all that black. It's not my photo like yours are. Let me see if I can put it in a frame
It's interesting how the second photo (with the pink frame) makes the photo look better. I also notice that there is less contrast in the second photo, and perhaps that has an effect as well.
There are a number of ways to remove the unwanted backgrounds, and, depending on your editing software and the skill you will develop over time, they will occur to you.
Here's something you can use immediately …
• If/when the part of the image you want to isolate is brighter than the original background you're removing, when you replace the image onto a (ie) darker background, it may look lighter than you want it to appear, and, of course, the opposite is true.
So, if you can adjust the isolated image independent of the new background, adjust brightness and contrast to "work" in the new background. If you can't do that by working in LAYERS, you might do so in your new new image.
Hope that's not confusing. Keep at it, like lots of things, it will evolve over time.
It was a little confusing, but after reading it a few times and thinking about what I'm doing and what you are talking about, it seems to mean to adjust the brightest separately if possible. By the way, thank you very much for your help and let me know if you mind me doing this one your article.
My latest experiment: One this one I did it what I consider the wrong way by having the picture with the frame as the background. I didn't think about it until I was already into a little. Then I had to go around and and erase everything inside the frame including the gray and try to make the outside a straight line. It would have been a piece of cake comparatively if I had used the gray back ground first and put the picture and frame over it. If you like you can play with it, change it around any way you want. Thanks.
Let me rephrase ... what looks good on one background may not look as good on another, so be ready to adjust the subject to work in its new background.
Our eyes, minds and empirical experiences will fill in the "gaps" and make us, as "The Viewers," an integral part of what we "see".
Well, so far, it seems everyone is underwhelmed.
No surprise to me today.
Great photo of the fawn.
I like the bits of color with the fade of the rest. Interesting experiments, Dr. Strangelove! LOL. I just put some pics up form my latest lake trip.
Got a link?
Here it is:
Interesting to say the least Mac.
You have done an excellent job with these Amac!!! I know you spent some time in accomplishing it as well!!!
It is quite satisfying to share these with friends and to think, while doing them … "I hope these will please my friends."
Well, they do and it is quite obvious you put some time into these photos to make them as beautiful as they are.
Here is one I did. The background was black, but you know how hard it is to get rid of all that black. It's not my photo like yours are. Let me see if I can put it in a frame
Maybe this one would look better. A solid white wall wouldn't do the trick on the other one for sure nor this one.
It's interesting how the second photo (with the pink frame) makes the photo look better. I also notice that there is less contrast in the second photo, and perhaps that has an effect as well.
Six,
There are a number of ways to remove the unwanted backgrounds, and, depending on your editing software and the skill you will develop over time, they will occur to you.
Here's something you can use immediately …
• If/when the part of the image you want to isolate is brighter than the original background you're removing, when you replace the image onto a (ie) darker background, it may look lighter than you want it to appear, and, of course, the opposite is true.
So, if you can adjust the isolated image independent of the new background, adjust brightness and contrast to "work" in the new background. If you can't do that by working in LAYERS, you might do so in your new new image.
Hope that's not confusing. Keep at it, like lots of things, it will evolve over time.
It was a little confusing, but after reading it a few times and thinking about what I'm doing and what you are talking about, it seems to mean to adjust the brightest separately if possible. By the way, thank you very much for your help and let me know if you mind me doing this one your article.
My latest experiment: One this one I did it what I consider the wrong way by having the picture with the frame as the background. I didn't think about it until I was already into a little. Then I had to go around and and erase everything inside the frame including the gray and try to make the outside a straight line. It would have been a piece of cake comparatively if I had used the gray back ground first and put the picture and frame over it. If you like you can play with it, change it around any way you want. Thanks.
Let me rephrase ... what looks good on one background may not look as good on another, so be ready to adjust the subject to work in its new background.