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A Journey Through the Life of Ramblin' Jack Elliott

  
Via:  Buzz of the Orient  •  last year  •  6 comments

By:   The Brooklyn Hall of Fame

A Journey Through the Life of Ramblin' Jack Elliott
 

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A Journey Through the Life of Ramblin' Jack Elliott 

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Born as Elliot Charles Adnopoz in Brooklyn, New York, the musical legacy of Ramblin' Jack Elliott reflects a rich tapestry of American folk music. An insightful exploration into his history shows not only his artistic evolution but also his profound impact on the music scene.

Early Life and Background


Ramblin' Jack Elliott's roots are deeply intertwined with the cultural movements of his time. He was born on August 1, 1931, to a Jewish family, which later relocated to California. The warmth and vibrancy of the Californian music scene had a significant influence on his growth as an artist.

Musical Inspirations


In 1950, he met Woody Guthrie, moved in with the Guthrie family and traveled with Woody to California and Florida, from the redwood forests to the Gulf Stream waters. Jack became so enthralled with the life and composer of This Land Is Your Land, The Dust Bowl Ballads, and a wealth of children's songs that he completely absorbed the inflections and mannerisms, leading Guthrie to remark, "Jack sounds more like me than I do."

During his formative years, Elliot immersed himself in the sounds of various influences:

  • Traditional American folk music
  • Blues legends like Sonny Terry and Brownie McGhee
  • Country artists, including Woody Guthrie

This diverse musical exposure helped shape his distinctive style, blending storytelling with melodic guitar play.

Career Milestones


In 1954, along with folksinging pals Frank Robinson and Guy Carawan, Jack journeyed south through Appalachia, Nashville and to New Orleans to hear authentic American country music. He later made this the basis for his talking song, 912 Greens.

In 1955 Jack married and traveled to Europe, bringing his genuine American folk, cowboy and blues repertoire and his guitar virtuosity, inspiring a new generation of budding British rockers, from Mick Jagger to Eric Clapton.
When he returned to America in 1961, he met another young folksinger, Bob Dylan at Woody Guthrie's bedside, and mentored Bob. Jack has continued as an inspiration for every roots-inspired performer since.

Ramblin' Jack's career began in earnest in the late 1950s, and he quickly established himself in the folk music community. Here are key milestones in his journey:

  1. New York Folk Scene : He became a feature of the Greenwich Village scene, performing alongside icons like Bob Dylan .
  2. Recordings : His debut album, Ramblin' Jack Elliott , came out in 1960, introducing his storytelling style to wider audiences.
  3. Awards and Recognition : Over the decades, Elliott has received multiple awards, including a Grammy Award for his contribution to music.

Iconic Performances


Throughout his career, Ramblin' Jack has delivered memorable performances globally. His appearances at folk festivals and venues provided a platform to share his original songs and covers of classics, forever capturing the essence of American folk .

Legacy and Influence


Along the way he learned the blues first-hand from Leadbelly, Mississippi John Hurt, the Reverend Gary Davis, Big Bill Broonzy, Brownie Mcghee and Sonny Terry, Jesse Fuller and Champion Jack Dupree.
With over 40 albums under his belt, Ramblin' Jack Elliott is considered one of the country's legendary foundations of folk music. He wrote one of the first trucking songs, Cup of Coffee, recorded by Johnny Cash; championed the works of new singer-songwriters, from Bob Dylan and Kris Kristofferson to Tim Hardin; became a founding member of Bob Dylan's Rolling Thunder Revue; and continued the life of the traveling troubadour influencing Jerry Jeff Walker, Guy Clark, Tom Russell The Grateful Dead and countless others.

Ramblin' Jack Elliott's influence extends beyond his recordings. He has inspired countless musicians across genres. Here are some notable effects of his legacy:

  • Continued influence on contemporary folk artists.
  • His signature storytelling style has become a staple for aspiring songwriters.
  • Recognition as a pivotal figure in preserving folk traditions.

Conclusion


The story of Ramblin' Jack Elliott is one of resilience, passion, and an undying love for storytelling through music. His journey from the streets of Brooklyn to becoming a folk legend exemplifies the rich history of American music. Through his contributions, he not only honors the past but also inspires future generations.

In celebrating his life and works, we acknowledge the vital role he plays in the continued evolution of folk music. Long live Ramblin' Jack Elliott and the stories he continues to share.


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Buzz of the Orient
Professor Expert
1  seeder  Buzz of the Orient    last year

Ramblin' Jack Elliott is one of the folksingers who I knew well as he became a friend and houseguest over the years.  Whenever he performed in Toronto at Coffee Houses we would get together.  The only time we didn't was when The Rolling Thunder Review performed in Toronto, but I did watch him because I saw that show with tickets given to me by Neil Young.  The last time we got together was just before I left for China.  He was performing at a coffee house in Toronto, and during that performance he actually announced  to the audience his thanks for my hospitality through the years.  The next day I took him out for lunch at the lakefront, and after lunch we walked along the docks.  There was a big three-master docked there, and we got permission to go on board, where he explained all the rigging to me.  He had a love for sailing ships and Kenworth trucks.

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Fare thee well, old friend, I value our memories, from slowly riding up Church Street in your Land Rover with your dog Blue, from your sleeping on my couch in my Village Green apartment, from your performance at the Riverboat using my Martin D28 guitar, to your singing to my two kids in the breakfast room of my house while your RV was parked in my driveway.  I'll never forget you.

 
 
 
Buzz of the Orient
Professor Expert
2  seeder  Buzz of the Orient    last year

Jack wrote 2 "songs" that I know of.  Both are actually mostly spoken while he finger-picked his guitar with a really sweet melody, and both are proof of at least ONE of the reasons his name is RAMBLIN' Jack Elliott.

CUP OF COFFEE 

By Ramblin' Jack Elliott

(Sung)

Just dropped by to get a cup of coffee, now
Just dropped by to grab a cup of coffee
Don't gimme no whiskey, ain't got time for wine
I got to wheel this old semi down the line

(Spoken)

Well, I just dropped a load uh grain about forty miles up the road and I'm goin' up empty
This old trailer sure can bounce when it's empty, too—'bout to shake my kidneys loose
I seen yer light comin' in my windshield
Just black, just black . . . thank you
Ahh, that's kinda hot, you got somethin' to cool it off?
In the coffee, pour it in the coffee
Ahh, that's better
Hey, that's good . . . you make this stuff yourself?
You oughta bottle it
Well, that old truck burned out a year ago, I gotta brand new rig workin' out there, look out the winda
Them West Coast aluminum front wheels, twin screws, twin stacks
Got a Cummin 335 with a four-by-four
Got an air-conditioned sleeper
Got my lights rigged up like a Christmas Tree, keep all them drivers awake, blinkin' their lights
Oh, she's fine, they're all fine, I talked to her yesterday, how's Flo?
Yeah, another, yeah, just another
Ahh, well well, this is fine, this is fine, I better get on the road here
Where's my hat . . . cap . . . hat . . . where's that, uh, Siamese cat?
I'll take 'em with me, could use a little company
That's alright, I can walk by myself, just look out, turn me loose, George! I can walk!
Ooh, stepped right in the flower bed; I'm in the petunias!
Haha, that's alright, couch is fine, couch is fine
I don't need no pillow: just throw a blanket over my feet, wake me up around four
No, you better leave that foot on the floor, that's my clutch foot
Put that thing up on the couch, I'll never wake up
Alright, goodnight
You be sure an' wake me now
What time is . . . alright, goodnight

(Sung)

I just stopped by to get a cup of coffee now
Just stopped by to grab a cup of coffee
Don't gimme no whiskey, ain't got time for wine
I got to wheel this old semi down the line

912 GREENS

By Ramblin' Jack Elliott

{Spoken}

Around about 1953 I went down to New Orleans
Perhaps I should say many years ago
It was in the summer time
I went down there with Frank and Guy
We sang and bust our way through the Smoky Mountains
And on down to New Orleans

And while we were down there, we had a name of a fella to look up
Billy Fair was a five-string banjo picker
Lived in a house called 912 Toulouse Street
And the way we found him, well that was a whole 'nother song
Let's just say we found Billy Fair
And he took us over there to 912 Toulouse Street

The only entrance I knew to this place
Was over a back fence up an alley
And over a fence, by some garbage cans, look out for that rusty nail
Now you're up, now you're over
And there was a cement over patio
With a pave of concrete, with a banana tree in the middle it
Well, I never did see no banana hanging on it
As they said it was a banana tree
And a wooden staircase leading up to a wooden balcony
That connected all the various different musicians
And different various pads
And a grey cat with three legs named Grey
That used to lope along and fall down
'Cause Grey he had a stroke, couldn't run too good on them three legs no how

It was very hot there and humid in August
What with the wind coming off the Mrs Miller River by the Jack's Brewery
And around towards sundown, the weather broke and the
To a tropical rainstorm and the rain came

And there was this girl there who had once been an ex-ballet dancer
And she took all her clothes off and danced around in the rain
Around the banana tree, around and around
And I followed suit

Until the rain stopped
So naturally everybody ran indoors
And we sat around drinking Billy Fair's wine
And getting acquainted till it was almost sun-up
And as day started breaking, everybody start splitting
Over that back alley fence
Which was the only entrance I ever knew to that place
And I split too

Stayed around three weeks in New Orleans
Never did see the light of day
And I never have been back

(Sung)

Did you ever, stand and shiver
Just because you were, looking at a river


Version 2 from Kerouac's Last Dream (1981)

(Spoken)

Here come this little blue car, I think it was a Plymouth
All the way from L.A. into New York town and
I was fooling around in Washington Square Park playing guitar
There was fiddles and banjos and mandolins
Everybody was singing songs

One Sunday afternoon, Guy and Frank
They came in this little car
They were on their way to North Carolina
Said they's going down there to hear some live music
And they invited me to come along on their trip
Threw my guitar in the back seat and we took off down Highway 301
Past Richmond, down across the North Carolina line
Guy's uncle lived on a farm near the ocean
On the coast of North Carolina
Neighbor was a fisherman, took us out on his boat
And we went shrimp fishing
We caught some shrimp, mostly we caught some sunburn
Got back just in time for dinner

Boy, was that good, Southern cooking
Black eyed peas, corn bread, oakry, buttered beans
After the dinner, dishes were put away
We're sitting on the porch watching a thunder shower
And Frank he pulled out his guitar
Started playing a weird song about California
I asked him about it the next morning as we were heading west
Heading for the Smoky Mountains
Frank was in the back seat practicing the banjo
Said "Hey Frank, what was that song you played yesterday?"
And he said it was the South Coast
So I asked him if he'd play it
No, wouldn't play it, couldn't play it
And he didn't play it for about four days till we had another thunder shower
It's just that kind of a song, I guess

By this time we were clear over Tennessee
We saw the Grand Old Opry, met Grandpa Jones
Met Earl Skruggs too
And we got back in our car and headed over to the Mississippi River
Headed south down to New Orleans, New Orleans, Louisiana
We had the name of a guy to look up there, he's a banjo picker
Billy Fair, looked him up in a telephone directory
But we wasn't there
So we parked the car and took to the streets
Down Bourbon Street, up Rue Royale
Ended up down at the Waterfront
Near the Mrs Miller River there in a café
There was Billy, drinking a coffee
He invited us over to his pad which was located at 912 Toulouse
Just a short walk up the street and up a back alley
And over a board fence
Up over a garbage can lid and over the fence
And down you go landing lightly on your feet
For there's concrete in the patio
And there's a banana tree there, I think it was a banana tree
Had a lot of bananas hanging on it

And a three legged cat
He sat there on the stairs like it was guarding something
I ran past the cat and I went upstairs
It was a dark room, I went inside the room
There was a chair in there that was carved out of an old Mexican palm tree
And Jack Kerouac had sat in that chair
Only a month before down in Mexico
Don't ask me how I knew that
I just knew that, I sat down in the chair
Composed a ballad about Jack Kerouac, sitting in that chair
Then it started raining, I got up and went outside
Standing on the balcony over the patio, smelling the air
A delicious smell of mean fall in New Orleans
Everybody went inside and started picking the banjo
Guitar, singing songs, telling stories, getting acquainted
Before you know it the sun came up, everybody split
I guess they didn't want to be caught out in that hot New Orleans sun
Went out over that back fence
Didn't seem to be no front door on the place
We all ended up in a bar down in the Waterfront
With John Truman telling stories about the Merchant Marine
And ships and the sea for three and a half days
One night after that story, I decided to ship out

Ship out around the world
Went down to the Merchant Marine, NMU hall
Come to get our seamen papers
Well, in order to get your seamen's paper you got to get a letter
From the ship owner, to the Union
And get a letter from the Union to the Coast Guard
Get a letter from the Coast Guard to the Union
To get a letter from the Coast Guard to the ship owner
To get a letter from the ship owner to the Union
To get a letter from the Union to the ship owner
Get a letter from the Union to the Coast Guard
So it said "Frick it!", we'll build our own ship

(Sung)

Did you ever, stand and shiver
Just because, you were looking at a river

 
 
 
Buzz of the Orient
Professor Expert
3  seeder  Buzz of the Orient    last year

One more thing.  Of course I always went to watch Jack perform in Toronto's coffee houses, and he always called out to me from the stage "What d'you want me to play, Buzz" and I'd always answer "South Coast" because I really loved the way he sang and played that song.

South Coast

By Frank Miller, Richard Dehr, Sam Eskin and Lillian Bos Ross 

My name is Juanano de Castro
My father was a Spanish Grandee
But I won my wife in a card game
To hell with those lords o'er the sea

Well the South Coast is wild coast and lonely
You might win in a game at Cholon
But a lion still rules the Barranca
And a man there is always alone

I played in a card game at Jolon
I played there with an outlaw named Juan
And after I'd taken his money
I staked all against his daughter Dawn
I picked up the ace... I had won her
My heart it was down at my feet
Jumped up to my throat in a hurry
Like a young summer's day she was sweet
He opened the door to the kitchen
And he called the girl out with a curse
Saying "Take her, Goddamn her, you've won her
She's yours now for better or worse"
Her arms had to tighten around me
As we rode down the hills to the south
Not a word did I hear from her that day
Nor a kiss from her pretty young mouth
But that was a gay happy winter
We carved on a cradle of pine
By the fire in that neat little cabin
And I sang with that gay wife of mine

Well the South Coast is wild coast and lonely
You might win in a game at Cholon
But a lion still rules the Barranca
And a man there is always alone

That night I got hurt in a landslide
Crushed hip and twice broken bone
She saddled her pony like lightning
And rode off for the doctor in Cholon
The lion screamed in the Barranca
Buck, he bolted and he fell on his side
My young wife lay dead in the moonlight
My heart died that night with my bride

Well the South Coast is wild coast and lonely
You might win in a game at Cholon
But a lion still rules the Barranca
And a man there is always alone
 
 
 
Buzz of the Orient
Professor Expert
4  seeder  Buzz of the Orient    11 months ago

Sorry, Jack, but it looks like nobody around here gives a shit about you even though you're an American icon. 

 
 
 
Gsquared
Professor Expert
4.1  Gsquared  replied to  Buzz of the Orient @4    11 months ago

I like him.  I used to hear some of his songs on local FM radio back in the 60's.

 
 
 
Buzz of the Orient
Professor Expert
4.1.1  seeder  Buzz of the Orient  replied to  Gsquared @4.1    11 months ago

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