Washington National Opera Is Leaving the Kennedy Center
S E E D E D C O N T E N T
The Washington National Opera decided on Friday to move its performances out of the John F. Kennedy Center for the Performing Arts, abandoning the hall where it has played since 1971 in perhaps the largest artistic rebuke yet to President Trump’s campaign to remake the Kennedy Center in his image.
The opera company is seeking to sever its ties with the Kennedy Center after a tumultuous year in which both groups have faced cancellations by artists, empty seats and the retrenchment of donors protesting Mr. Trump’s intervention. Within weeks of beginning his second term, the president named himself chairman of the center and installed a political ally , Richard Grenell, as its executive director, while filling its board with supporters.
A resolution to leave was approved by the Washington National Opera’s board of trustees on Friday, according to a statement the opera provided to The New York Times.
“Today, the Washington National Opera announced its decision to seek an amicable early termination of its affiliation agreement with the Kennedy Center and resume operations as a fully independent nonprofit entity,” the statement said.
The resolution calls for the opera to move its performances out of the Kennedy Center’s 2,364-seat Opera House as soon as possible and to reduce the number of performances as a cost-saving measure. Opera officials said that new sites in Washington have been lined up but that no leases have been signed. They declined to name those venues.
The officials said that details about the new schedule would be announced shortly. The Kennedy Center’s website currently lists the opera’s lineup of spring performances , including Scott Joplin’s “Treemonisha” and “West Side Story” as well as its upcoming gala, but a separate website is being set up .
The resolution also calls for the Washington National Opera to begin negotiations with Mr. Grenell and the Kennedy Center about ending an affiliation agreement that has bound the cultural institutions since it was signed in 2011, when the opera was facing financial challenges .
The opera declined to release a copy of the resolution, which was being negotiated until shortly before it was approved by the 37-member board during a virtual meeting on Friday. But details of its contents were provided to The Times by officials involved in the deliberations.
Under Mr. Trump and Mr. Grenell, the Kennedy Center has been aggressive in trying to discredit artists who have canceled commitments with the center. But on Friday, Roma Daravi, a spokeswoman, said the center agreed that the time had come to end the relationship.
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Not to worry, America will be goldleafed when it crumbles.
No respectable, reputable artist or art-related entity could possibly want to have anything to do with Trump.
... yeesh, the kid suck, lee greenturd, and ted the ped nugent rotation there is going to get old quick ...
I hope this trend continues. The Kennedy Center can reopen with its actual name in 2029.
I assume that most decent Americans would hope so. I still can't get over how disgusting it was for what Trump has done - an affront to common decency. In my opinion it's just on the list of the things he has pooped onto America.
There are no words more appropriate than despicable (and synonyms).
Yes. And this is minor by comparison. But it does illustrate, yet again, that an abysmal human being has been granted the most powerful office on the planet.
You should see the MOVIE GROUP article I just posted.
I dont care much for opera but I do know it is high culture.
Maybe Trump will replace the opera with hamburger eating contests.